Vermont, State Facts – History ( Video

#Is #vermont #a #state #in #the #usa

Vermont, State Facts - History ( Video, REMMONT.COM

Is vermont a state in the usa


Governor: Phillip Scott, R (to Jan. 2019)

Lieut. Governor: David Zuckerman, P (to Jan. 2019)

Present constitution adopted: 1793

Motto: Vermont, Freedom and Unity

flower red clover (1894)
tree sugar maple (1949)
bird hermit thrush (1941)
animal Morgan horse (1961)
insect honeybee (1978)
song “These Green Mountains” (2000)

Origin of name: From the French “vert mont,” meaning “green mountain”

10 largest cities (2010 est.): Burlington, 42,417; Essex, 19,587; South Burlington, 17,993; Colchester 17,067; Rutland, 16,495; Bennington 15,764, Brattleboro 12,046; Milton, 10,352; Hartford, 9,952; Springfield, 9,078; Barre, 9,052; Williston, 8,698; Middlebury, 8,496

Geographic center: In Washington Co., 3 mi. E of Roxbury

Number of counties: 14

Largest county by population and area: Chittenden, 156,545 (2010); Windsor, 971 sq mi.

State forests: 300,000 ac.

2010 res >625,741 (49). Male: 308,206 (49.3%); Female: 317,535 (50.7%). White: 596,292 (95.3%); Black: 6,277 (1.0%); American Indian: 2,207 (0.4%); Asian: 7,947 (1.3%); Other race: 2,105 (0.3%); Two or more races: 10,753 (1.7%); Hispanic/Latino: 9,208 (1.5%). 2010 percent population 18 and over: 79.3; 65 and over: 14.6; median age: 41.5.

The Vermont region was explored and claimed for France by Samuel de Champlain in 1609, and the first French settlement was established at Fort Ste. Anne in 1666. The first English settlers moved into the area in 1724 and built Fort Dummer on the site of present-day Brattleboro. England gained control of the area in 1763 after the French and Indian Wars.

First organized to drive settlers from New York out of Vermont, the Green Mountain Boys, led by Ethan Allen, won fame by capturing Fort Ticonderoga from the British on May 10, 1775, in the early days of the Revolutionary War. In 1777 Vermont adopted its first constitution, abolishing slavery and providing for universal male suffrage without property qualifications.

Vermont leads the nation in the production of monument granite, marble, and maple products. It is also a leader in the production of talc. Vermont’s rugged, rocky terrain discourages extensive agricultural farming, but is well suited to raising fruit trees and to dairy farming.

Principal industrial products include electrical equipment, fabricated metal products, printing and publishing, and paper and allied products.

Tourism is a major industry in Vermont. Vermont’s many famous ski areas include Stowe, Killington, Mt. Snow, Okemo, Jay Peak, and Sugarbush. Hunting and fishing also attract many visitors to Vermont each year. Among the many points of interest are the Green Mountain National Forest, Bennington Battle Monument, the Calvin Coolidge Homestead at Plymouth, and the Marble Exhibit in Proctor.

Vermont has become a trailblazer for gay rights. In April 2009, Vermont became the fourth state to legalize gay marriage. It was the first state to legalize gay marriage by a legislature’s vote. The House and Senate voted to override Governor Jim Douglas’ veto. Prior to this vote, Vermont was the first state to legalize same-sex civil unions.



#University in washington state ^ #Video

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When you come to the UW’s Seattle campus, you’re part of more than the innovative city that’s brought us everything from legendary music to lifesaving cures. You’re part of something bigger, too. You’re part of a globally connected community that loves to innovate, to explore, to create. Here, you’re part of Seattle’s vibrant history — and the world’s promising future.

Our mission at UW Bothell is to make an exceptional college education accessible to more students — people just like you. No matter your background or future aspirations, if you are a strong, committed student, we want to help make your dream of a UW degree possible. We are a student-centered, right-sized campus with 6,000 students, more than 350 faculty, five schools, more than 50 undergraduate and master’s degree programs, and direct access to the big-school resources of the tri-campus University of Washington.

At UW Tacoma, students become engines of change for themselves, their families and their communities. Set in beautiful historic downtown Tacoma, the campus melds classic urban architecture with modern technology. Faculty and students work together in small classes striving for academic excellence, personal growth and professional expertise.

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22 Things to Do in Vermont During the Summer + Video

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22 Things to Do in Vermont During the Summer + Video, NEF6.COM

Vermont in


22 Things to Do in Vermont During the Summer

Vermont may lack an ocean coast, but summer vacationers never feel shortchanged. This uncrowded, independent-minded state known for its rural and natural beauty overdelivers when it comes to freshwater beaches, family-friendly resorts, outdoor adventures, golf courses, craft breweries, and farm-to-table restaurants. If you’re heading north to escape the heat and looking for cool things to do, here are some of Vermont’s most memorable getaways and experiences for summer visitors.

Jump in a Lake

You won’t miss the ocean when you discover Vermont’s plentiful freshwater beaches. Many of them, such as Boulder Beach in Groton, are tucked inside Vermont State Parks, where admission fees are family-friendly. Combine swimming with other park activities such as hiking, biking, or kayaking for an active day in the outdoors. Lake Willoughby’s North Beach in the town of Westmore is one of the best lake beaches in New England. And there are more than a dozen public beaches on Lake Champlain: the granddaddy of all Vermont lakes. There are more than 80 old-fashioned swimming holes in Vermont, too, when you’re ready for an exhilarating dip. And if skinny-dipping’s your thing, there’s even a place in Vermont for that!

Treat Your Family to a Memorable Getaway

Vermont is home to New England’s superlative family resorts. Put Smugglers’ Notch, with its eight heated pools, mountainside water playground, freshwater swimming spots, and award-winning children’s programs at the top of your list. Tyler Place Family Resort in Swanton caters to all ages, too, with water sports and other outdoor adventures, supervised activities for toddlers to teens and all-inclusive dining. The kid-friendly, dog-friendly Wildflower Inn in Lyndonville is also a perfect landing spot for active families. Situated on 300 acres with easy access to Kingdom Trails, you’ll bond over country breakfasts, hikes and bike rides, lawn games, refreshing swims and farm-to-table dinners.

Shop at a Vermont Farmers’ Market

When Vermont’s town greens and parks become gathering places for farmers and gourmet food producers, you’re in for a treat. There are dozens of weekly farmers’ markets in Vermont, where you’ll see the state’s fresh-harvested bounty on display. The best markets, such as the Waitsfield Farmers’ Market on the Mad River Green, offer so much more than fruits and vegetables. Hear live music, sample baked goods, and purchase handcrafted souvenirs. You’ll be supporting Vermont growers, artisans, and entrepreneurs while enjoying a summer day outdoors. Picking your own strawberries is another fun summertime activity that supports Vermont farms.

Cruise Lake Champlain

Lake Champlain’s one and only cruise ship, the Spirit of Ethan Allen, allows summer vacationers to experience the state’s largest lake on a variety of leisurely voyages. From mid-May through mid-October, narrated, scenic trips are offered several times daily. You can also combine cruising with lunching or brunching, or book passage aboard a sunset cocktail cruise or a dinner cruise. On Thursday nights, you can solve a murder mystery over dinner; Friday night dinner cruises feature lobster; and Saturday is dinner and dance night with a DJ.

Ride a Thrilling Mountain Coaster

Vermont’s ski areas have devised some awfully clever ways of attracting summertime visitors. When you find yourself longing for a downhill thrill long after the snow has melted, head to Killington, where the Beast Mountain Coaster races 4,800 twisting and turning feet through the woods. Okemo Mountain Resort in Ludlow, Vermont, will elevate your heart rate, too. Their Timber Ripper Mountain Coaster is a breathtaking and smooth ride down the forested mountainside, and you control the speed.

Go Behind the Scenes at Ben & Jerry’s

Factory tours at Ben & Jerry’s in Waterbury, Vermont, will give you new appreciation for summer’s top treat. During your 30-minute guided experience, you’ll see cherished ice cream flavors like Chunky Monkey being produced in huge batches and have the opportunity to sample the day’s fresh—sometimes limited edition—frozen creation. You’ll also hear the enchanting back story of this global brand’s humble Vermont origins. Don’t miss the Flavor Graveyard, where discontinued concoctions like Bovinity Divinity are humorously memorialized.

Take Up Fly Fishing

Vermont is the fly fishing capital of New England. Visit the 50-year-old American Museum of Fly Fishing in Manchester, home to the world’s largest collection of fishing-related artifacts, including rods that belonged to legendary people like artist Winslow Homer, author Ernest Hemingway, and slugger Babe Ruth. Vermont’s Battenkill and Mettawee Rivers are premier places to cast for wild trout. If you don’t know the first thing about fly fishing, Vermont has you covered, too. Orvis operates a fly-fishing school in Manchester: Choose a one- or two-day experience including instructional opportunities geared specifically for women or for parents and children. Farther north, Burlington-based Maple Country Anglers offers guided fishing trips on Vermont’s fish-rich rivers and streams.

Sleep at a Farm

Fun for kids and restorative for grown-ups, a farm stay is an immersive way to experience Vermont’s rural rhythms. The cream of Vermont’s crop of farm escapes is Liberty Hill Farm & Inn in Rochester. Here, you won’t just feast on farm-fresh, family-style meals and observe the daily operations of a working dairy farm with 270 cows on-site. You can help with milking, bottle-feeding calves, and other chores. And you’ll absorb farm values, which may just change the way you view our world and your own life.

Dine at a Farm-to-Table Restaurant

Vermont’s best farm-to-plate restaurants make optimal use of summer’s bounty. This agrarian state was at the forefront of the locavore movement and has worked since 2009 to double access to local food. Many of Vermont’s top chefs have wholeheartedly embraced this philosophy, and you’ll want to taste the intriguing dishes they are creating using freshly harvested ingredients. The Montpelier-based New England Culinary Institute even has its own student- and instructor-run farm-to-table restaurant, NECI on Main.

See a Genuine Rodeo

There’s an unexpected, yet authentic touch of the wild west in Castleton, Vermont. From July through Labor Day weekend, Pond Hill Ranch—a genuine, 2,000-acre working ranch—hosts Saturday night rodeos that are alcohol-free and fun for families. You’ll see top-notch professional bull riders and exciting events like barrel racing, calf roping, and steer wrestling. The bull riding competition for novices is the biggest hoot.

Enjoy a Perfect Evening of Theater

For a fraction of the cost, you can see Broadway-caliber shows at the intimate, 300-seat Weston Playhouse in Weston, Vermont, this summer. Plays have been staged in this repurposed Greek Revival church for more than 80 years. Kick off a memorable evening with dinner beside a waterfall at the playhouse’s restaurant. After the curtain call, there’s more fun in store. Young Company players join the show’s performers for a comical hour of additional entertainment in the downstairs cabaret.

Head to the Calvin Coolidge State Historic Site

They called him “Silent Cal,” but 30th U.S. President Calvin Coolidge’s legacy resonates through time in Plymouth Notch, Vermont. The Calvin Coolidge State Historic Site preserves essentially the entire rural village where Coolidge was born, where he was sworn in as president following Warren Harding’s death, and where he set up his Summer White House during his presidency. You can even visit the general store and the Plymouth Cheese Factory, one of America’s oldest still-operating cheese companies. It was established in 1890 by Coolidge’s father.

Follow the Vermont Cheese Trail

Speaking of cheese… the state prides itself on the quality and diversity of its dairy products, and this Vermont Cheese Trail map will help you locate and visit cheesemakers statewide. The Cabot Visitors Center in Cabot, Vermont, is a popular stop. After a video tour of the cheesemaking process, you can taste free samples and compare this household name’s world-famous cheddars. Don’t miss the chance to discover artisan cheeses made in small batches, too, at destinations like Blue Ledge Farm in Salisbury: open on Friday mornings only, from 8 a.m. until noon, May through October.

Picnic at a Music in the Meadow Concert

The backdrop for these outdoor performances is as spectacular as it gets. Pack a picnic, spread out a blanket, and enjoy the music and the mountain views during one of summer’s Music in the Meadow concerts at the Trapp Family Lodge in Stowe, Vermont. Tickets are required for most of these shows, held on select Sundays in July and early August. Arrive up to two hours early to claim your spot on the sloping lawn.

Give ATV Riding a Whirl

If you’ve never been on an all-terrain vehicle (ATV), NEK Adventures will introduce you to this adventurous summer pastime. Their guided ATV tours, which depart from Concord, Vermont, take place at a sightseeing pace and rumble through remote areas you’d probably never see without a four-wheeler beneath you. Participants must be 18 years old (16 if accompanied by a parent).

Tour the World’s Largest Granite Quarry

From Memorial Day weekend through mid-October, touring the world’s largest deep-hole dimension granite quarry is one of the coolest things you can do in Vermont. A visit to Rock of Ages in Graniteville is actually two tours in one. A bus will take you to the quarry, where you’ll see derricks hoisting 400-million-year-old blocks of stone. Back at the Visitors Center, self-guided factory tours include the chance to observe artisans at work, using modern and traditional tools to sculpt and carve memorials. Visitors are encouraged to take home a free sample of enduring Vermont granite.

Bike the Kingdom Trails

In Vermont’s remote Northeast Kingdom, there’s an extensive network of multi-use trails that beckons to mountain bikers. Purchase a day pass, and you’ll have access to Kingdom Trails’ diverse riding options for all ability levels. This non-profit has negotiated legal access to private lands in one of the state’s most scenic natural areas, and you’ll be awed by the care that goes into maintaining these trails.

Support the Preservation of the Morgan Horse

If you love horses, you’ll want to include a visit to the UVM Morgan Horse Farm on your Vermont itinerary. Located near Middlebury and open to the public from May through October, this picturesque facility was established in 1878. You’ll see more than 40 of these strong and versatile horses, the state animal of Vermont. And your admission fee helps to sustain the breed. Vermont is also home to the National Museum of the Morgan Horse, not far away in Shelburne.

Reserve Your Tee Time

Vermont has more than 75 scenic golf courses: some historic, some modern. Opportunities to play nine or 18 holes are scattered statewide, but you’ll find the highest concentrations of courses in resort destinations like Stowe and Killington. Mild summer temperatures make Vermont an ideal place to golf. While some of the state’s top-rated courses are open only to members, there are plenty of gorgeous public golf courses in Vermont that you can play including the Equinox Golf Resort & Spa’s mountainside course, designed by Walter Travis in 1926 with 1991 updates by Rees Jones.

Attend a Waterfront Beer Festival

Sure, you could drive all over visiting the craft breweries—like Hill Farmstead Brewery and The Alchemist—that have made Vermont one of the best destinations in the world for beer lovers. But the annual Vermont Brewers Festival, held the third weekend of July in Burlington Waterfront Park on Lake Champlain, is a safer and more efficient way to taste buzz-worthy brews from Vermont and beyond. This epic, adults-only summer event attracts more than 10,000 people and features local food, too.



Salt Lake City, Utah, United States # Video

#Cities #in #utah

Salt Lake City, Utah, United States # Video, REMMONT.COM

Cities in utah


Salt Lake City

Salt Lake City, state capital and seat (1849) of Salt Lake county, north-central Utah, U.S., on the Jordan River at the southeastern end of Great Salt Lake. The world capital of the Church of Jesus Christ of Latter-day Saints ( Mormons), it influences the social, economic, political, and cultural life of the people in a wide area of Utah and bordering regions of Idaho, Nevada, and Wyoming. Built on benches of ancient Lake Bonneville, the city (approximate elevation 4,300 feet [1,300 metres]) lies at the foot of the Wasatch Range, which rises more than 1 mile (1.6 km) above the Salt Lake valley floor. Salt Lake City is at the centre of an urbanized band along the mountains that includes Ogden to the north and Provo to the south. Inc. 1851. Area city, 111 square miles (287 square km). Pop. (2000) 181,743; Salt Lake City Metro Area, 968,858; (2010) 186,440; Salt Lake City Metro Area, 1,124,197.

Ute and Shoshone Indians were early inhabitants of the area. The city was founded in 1847 by Brigham Young and a band of 148 Mormons as a refuge from religious persecution and was known as Great Salt Lake City until 1868. Laid out by Young according to Joseph Smith’s plan for the city of Zion, the city was divided into 10-acre (4-hectare) blocks bounded by wide streets grouped around the Temple Block (now known as Temple Square). Mormon immigrants from the East and Europe flocked to the “New Jerusalem,” the “City of the Saints,” in the Provisional State of Deseret (a Book of Mormon word interpreted as “honeybee”). The California Gold Rush of 1849 contributed to the city’s growth.

After the Treaty of Guadalupe H > Utah War of 1857–58, when General Albert Sidney Johnston’s troops marched through the city to establish Camp Floyd west of Utah Lake. Social and religious conflict between Mormons and non-Mormons continued to influence the life of the city for a century.

The opening of the mining industry in the early 1860s and completion (1870) of the Utah Central Railroad, connecting Salt Lake City with the Union Pacific at Ogden, along with other rail connections, made the city a thriving hub of Western commerce. The city’s population grew steadily in the first half of the 20th century, reaching a high in 1960 before declining. The number of residents began rising again in the 1970s and achieved the 1960 level in the early 21st century. Salt Lake City was the host of the 2002 Olympic Winter Games.

The contemporary city

Mining operations near Salt Lake City produce copper, gold, molybdenum, platinum, selenium, silver, lead, and zinc, and various salts are produced from the lake. The city is a regional trade and transportation centre and has an international airport. Services such as government, education, health care, and financial and business services are a major part of the economy. High-technology industries and telecommunications are also primary factors. Printing and publishing are important, and manufactures include medical products, computer equipment, software, and aerospace products. Tourism contributes greatly to the economy, with more than a dozen ski areas located near the city. It is also a trade, processing, and transportation centre for agricultural products from nearby irrigated farmlands.

Educational institutions include the University of Utah (1850), Westminster College (1875), and Salt Lake Community College (1948). Salt Lake City is a world centre of genealogy research; the Family Search Center and Family History Library contain records of some two billion names. Monuments and buildings include the Mormon Tabernacle (1863–75; famous for its choir), Salt Lake Temple (1853–93), and the Seagull Monument (1913), all within Temple Square. Near the square are Beehive and Lion houses (res > State Capitol (1916), built of Utah granite and marble in Corinthian style, has an exhibition hall.

The city is the home of the Utah Jazz of the National Basketball Association. Cultural institutions include the state opera and symphony orchestra, the Utah Museum of Fine Arts, a children’s museum, and the Utah Museum of Natural History (on the university campus). Tracy Aviary in Liberty Park houses 135 species of birds. The Utah Shakespearean Festival is held annually from June through October. Wasatch National Forest adjoins the city on the east and north, and several state parks are in the vicinity. Fort Douglas, on the outskirts, was founded in 1862.

This article was most recently revised and updated by Amy Tikkanen, Corrections Manager.



#What time is it in iowa usa – #Video

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What time is it in iowa usa


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With small, full-immersion classes, our professors give students lots of personal attention and support.

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Transcendental Meditation ® >

MUM students practice this effortless, evidence-based technique for enhancing creativity & learning ability, and reducing stress & anxiety.

Self knowledge & personal growth >

At MUM, you connect each discipline with your own innermost self — pure consciousness. This direct experience makes learning much more relevant and satisfying. More >

Immersion in one course per month >

Our secret for learning more with less stress — the block system. Each month you’re fully immersed in just one course. No juggling 4-5 classes at once! More >

A campus culture with heart >

You’ll thrive in a mutually supportive community where everyone is committed to personal growth.

Natural health & wellness >

At MUM, self-care is a priority. You’ll learn highly effective tools — including yoga postures, ayurveda self-pulse and more — to promote a healthy lifestyle.

Innovative sustainability >

MUM is among America’s most green colleges, and the first to offer degree programs in Sustainable Living and Regenerative Organic Agriculture. More >

Professors who care >

With small, full-immersion classes, our professors give students lots of personal attention and support.

Organic vegetarian meals >

America’s first college to serve freshly-prepared organic vegetarian meals every day — locally sourced whenever possible.


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Our Mission

To provide a statewide birding network welcoming people of all interests and abilities to unite for the enjoyment, education, and conservation of Ohio’s wild birds.

Support Ohio’s Birding Network

Welcoming backyard birdwatchers and researchers in the field alike, the Ohio Ornithological Society is the only statewide organization specifically devoted to fostering a deeper appreciation of wild birds, especially among Ohio’s youth.

Join Ohio’s Birding Network

Welcoming backyard birdwatchers and researchers in the field alike, the Ohio Ornithological Society is the only statewide organization specifically devoted to fostering a deeper appreciation of wild birds.

2018 Annual Membership Drive Raffle Winners

by ohiobirds1 | March 2, 2019 | Membership | 0 Comments

Alvin Miller, a local Amish young man, was the recipient of first prize from our annual membership drive, Zeiss Conquest HD 8×42 binoculars. Since I was the closest board member to Arvin, I was tasked with delivery of the bins. Friend Su and I were out birding, were.

Upcoming News & Events
G o directly to the OOS Events Page


REGISTRATION NOW OPEN. 2019 WARBLERS & WILDFLOWERS WEEKEND April 26th through the 28th Keynote Speaker, Dr. Bernard F. Master – Field Trips – Photography – Mothing – Chuck-will’s-widow – and MORE DETAILS.

OOS 2019 Bird Walk Series

We are just now gearing up for our 2019 Bird Walks! Keep an eye on this page for more info as we add field trips in each of our supported regions. More coming SOON! Cuyahoga Valley National Park – May 25 with Sue Evanoff [gallery.

The OOS is Going to Ecuador in 2020!

REGISTER FOR THE OOS NORTHERN ECUADOR TRIP February22 – March 1, 2020 *** $400 from each registration will go to support the OOS conservation fund *** Ecuador has the highest bird species diversity per square kilometer on the planet and offers some of the best birding.

2018 Annual Membership Drive Raffle Winners

Alvin Miller, a local Amish young man, was the recipient of first prize from our annual membership drive, Zeiss Conquest HD 8×42 binoculars. Since I was the closest board member to Arvin, I was tasked with delivery of the bins. Friend Su and I were out birding, were.

Young Birder, Adriana Losey, Reports on Hog Island

One of the best things the OOS board gets to do is to help foster interest in birds by Ohio’s young birders. We offer scholarships for young birders to attend birding camps and conferences. In June of last year, we received a request from Adrianna Losey to sponsor.



#State of tennessee jobs in memphis tn ) #Video

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159 State Of Tennessee jobs

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State of Tennessee – Davidson County, TN 3.7

Basic knowledge of mathematics. Substitution of Education for Experience:. Skilled in the use of mathematics. LOCATION OF (1) POSITION TO BE FILLED.

PROB PAR MANAGER-040319-175091

State of Tennessee – Tennessee 3.7

Be at least eighteen (18) years of age on the date of application; Upon appointment, successfully complete all additional prescribed course of instruction at.

WILDLIFE OFFICER (16)-040319-175178

State of Tennessee – Humphreys County, TN 3.7

One year of full time working experience as a Wildlife Manager 1 with the State of Tennessee. Working knowledge of relevant equipment, policies, procedures, and.

PROB/PAR OFFICER 2*-040319-175118

State of Tennessee – Tennessee 3.7

Be at least eighteen (18) years of age on the date of application; Upon appointment, successfully complete all additional prescribed course of instruction at.


State of Tennessee – Davidson County, TN 3.7

This class differs from Forester-Assistant State in that an incumbent of the latter is responsible for administering all statewide operations, programs and.

STOREKEEPER 2-040319-175169

State of Tennessee – Davidson County, TN 3.7

Substitution of Experience for Education:. This class differs from that of a Storekeeper 1 in that an incumbent of the latter has lesser overall storekeeping.

ADMIN ASSISTANT 2-040319-175133

State of Tennessee – Davidson County, TN 3.7

This class differs from that of Admin Assistant 3 in that an incumbent of the latter performs work of greater difficulty and impact.


State of Tennessee – Davidson County, TN 3.7

Upon appointment, successfully complete a prescribed course of instruction at the Tennessee Correction Academy.


State of Tennessee – Hickman County, TN 3.7

Knowledge of Mathematics. Knowledge of Computer Literacy. LOCATION OF (1) POSITION TO BE FILLED:. This class differs from Administrative Secretary in that an.


State of Tennessee – Davidson County, TN 3.7

Knowledge of firewalls. Knowledge of enterprise servers. Substitution of Education for Experience:. Graduation from an accredited college or university with a.


State of Tennessee – Davidson County, TN 3.7




Colleges in austin texas # Video

#Complete #Listing #of #Texas #Austin #Colleges

Colleges in austin texas


Austin Texas Colleges and Universities

Our database currently includes Austin Texas colleges, universities, technical and vocational schools.

Austin is the capital of Texas and the “Live Music Capital of the World.” The city was selected as the No. 2 Best Big City in “Best Places to Live” by Money magazine in 2006. Austin is home to a number of colleges and universities, including the lovely flagship campus of the University of Texas system. It’s the kind of place where you check your worries at the city limits. Trade in a suit for something a bit more casual, and prepare for experiences you’ll only find in Austin.

Austin Texas Colleges

Online Austin Texas Colleges

Texas Colleges and Universities

If you are an educator at a post-secondary or community college institution and wish to update/add your school’s information, we encourage you to let us know! US College Search strives to provide the most comprehensive and up-to-date information on schools throughout the US.

We’re the perfect resource for high school students, parents, and anyone looking for a college in Texas. We maintain a database of 9203 4-year Universities, 2-year Colleges, Junior Colleges, Vocational Schools, Job Training Programs, and Technical Certification Programs.

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U.S. College Search is an in-depth tool for high school students, parents, and persons seeking for Austin Texas Colleges. USCollegeSearch possesses a database of over 9,000 Junior Colleges, Technical Colleges, 4 year Universities, 2 Year Colleges, Technical Certification Programs, Vocational Schools, and Job Training Programs.

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If you have a peculiar major program in mind, this is the search for you. Pick from several main degree categories. You can then narrow your search by City.

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Find out about a particular college. Want to find out about a peculiar Austin Texas College a guidance counselor described? Check our huge list of Austin Texas vocational school names, listed alphabetically.

Online Colleges
For Austin Texas people on the move, internet university courses are turing into a flexible means to work for a degree or find out a new skill. Although relatively new, low courses are becoming just as valuable as physical classroom degrees.

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College Funding Section – Find out about the finest web sites on the web to find loans, grants, and scholarships for Austin Texas Colleges.
Occupations Guide – Learn about salary ranges, operating surrondings, and employment opportunities in over 100 jobs in Austin Texas

USCollegeSearch is dedicated to offering the most detailed listings of Austin Texas colleges and universities in the US. We now list Austin Texas university name, address, phone, website, Austin Texas major program offering, Austin Texas academic degree type, and student statistical references. Interested students are encouraged to contact Austin Texas schools and request further facts for any technical college they are interested in.

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Agenda y noticias de conciertos, festivales, teatro y exposiciones. Guía de Granada con información de restaurantes, bares, turismo y ocio de la ciudad.

Activities in la

Posted by Malaga GO on 1/03/2019

Aquí puedes leer online la Guía del Ocio GO GRANADA Marzo 2019, planes y actividades en Granada. Aquí puedes leer online la Guía del Ocio GO GRANADA Marzo 2019, planes y actividades en Granada. Las citas culturales que no debes perderte en Marzo en Granada. El mes de marzo se estrena repleto de eventos de toda índole y en Guía GO! Granada damos buena cuenta de ello, para que estés al día de todo lo que te interesa y le saques el máximo partido a tu tiempo libre! Consigue una de nuestras 20.000 revistas en cualquiera de los más de 600 puntos en los que se distribuyen por toda la provincia,o consulta las noticias de nuestra web, haz una búsqueda fácil de lo que más te interese en nuestra app o, si lo prefieres, hojea la versión online de la revista en el PDF que encontrarás aquí debajo. Aquí puedes leer online la Guía del Ocio GO GRANADA Marzo 2019, planes y actividades en Granada MÚSICA Este mes será muy especial, el Festival Acústico Al Oido de Pinos Puente nos trae a Sidecars, El Jose y Zahara en acústico!! Conciertos muy íntimos y personales. Entre la agenda musical destacan citas como Carlos Sadness en Estación Espacial de En Órbita en Aliatar, María Toledo en concierto en el Isabel la Católica, para disfrutar con los peques de la casa, Rock en Familia:Descubriendo a Queen y La Principita, estreno absoluto en el Teatro Alhambra. ELYELLA por fin llegan a Granada, en Sala Prince… fliparás. No te puedes perder la Fiesta Sonorama: El Increíble Paso, Checopolaco y Los Pilotos, Colectivo Panamera llega con su divertido directo al Boogaclub, FSO vuelve con la segunda parte de su homenaje a John Williams TEATRO Los aficionados a este maravilloso arte estamos frotándonos las manos impacientes porque al fin llega Madama Butterfly al Palacio de Congresos de Granada y ademas Todas las noches de un día con Carmelo Gómez y Ana Torrent. TE INTERESA Granada está llena de divulgación científica en Marzo, descubre la citas mas destacadas del Granada Ciudad de la Ciencia, la conferencias sobre terremotos, cuando la tierra tiembla… y mucho más en GUIA GO! GRANADA Aquí puedes leer online la Guía del Ocio GO GRANADA Marzo 2019, planes y actividades en Granada Conciertos, espectáculos teatrales, cursos, talleres, exposiciones, tiendas, bares, lugares en los que tomar una copa… Lee Guía GO! Granada (hay 20.000 revistas por las calles, en más de 750 puntos estratégicos en Granada ciudad y provincia), o consúltala aquí debajo, síguenos por facebook (aquí)o por twitter (acá)y, ¡entérate de todo! En el siguiente enlace (pinchando aquí) puedes leer el pdf completo de nuestra revista GO! Granada de Marzo 2019, con la agenda más completa de Granada para que le saques el máximo partido a tu tiempo de ocio. ¡Gracias por usarla y compartirla para que tus [email protected] también aprovechen su tiempo de ocio de la mejor manera.

Arranca Block party en la plaza de las Pasiegas Granada

Posted by Malaga GO on 12/03/2019

Arranca Block party en la plaza de las Pasiegas Granada. Arranca Block party en la plaza de las Pasiegas Granada, la Plaza de las Pasiegas se abre al arte de la danza urbana con la participación de 300 bailarines andaluces Block party arranca este domingo en la plaza de las Pasiegas donde se podrá disfrutar de la danza urbana desde las 11.30 horas a a las 15.00 horas Granada abre sus plazas a la danza urbana a partir de este domingo, día 17 de marzo, un total de 300 bailarines procedentes de toda Andalucía mostrarán en la plaza de las Pasiegas su talento creativo en diferentes estilos de la danza contemporánea. Se trata del concurso Block party, organizado por el Ayuntamiento de Granada, en colaboración con la escuela de danza urbana Basmove. A lo largo de los próximos siete meses, el tercer domingo de cada mes, se podrá disfrutar en la plaza de las Pasiegas de distintos espectáculos protagonizados por los bailarines más representativos de la comunidad autónoma andaluza. Estilos musicales y de danza tan variados como el hip hop, new style, commercial dance, waackin, vogue, clown dance o house se podrán disfrutar en Granada. La primera fiesta de la danza urbana, este domingo, día 17 de marzo, en la plaza de las Pasiegas desde las 11.30 horas hasta las 15.00 horas. Durante la jornada, además de los mencionados espectáculos a cargo de bailarines, se celebrará una competición de danza urbana en la que los participantes estarán acompañados por el.

Granada acoge la XVII edición del certamen de jóvenes diseñadores de moda.

Posted by Malaga GO on 12/03/2019

Granada acoge la XVII edición del certamen de jóvenes diseñadores de moda. Granada acoge la XVII edición del certamen de jóvenes diseñadores de moda, los días 21 y 22 de marzo la décimo séptima edición del certamen de jóvenes diseñadores de moda de Andalucía Oriental. En el concurso competirán siete creadores noveles. Uno de ellos se alzará con el primer premio, consistente en la participación con stand propio en una feria de moda internacional.

Granada acoge la XVII edición del certamen de jóvenes diseñadores de moda

Posted by Malaga GO on 12/03/2019

Granada acoge la XVII edición del certamen de jóvenes diseñadores de moda. Granada acoge la XVII edición del certamen de jóvenes diseñadores de moda, los días 21 y 22 de marzo la décimo séptima edición del certamen de jóvenes diseñadores de moda de Andalucía Oriental. En el concurso competirán siete creadores noveles. Uno de ellos se alzará con el primer premio, consistente en la participación con stand propio en una feria de moda internacional.

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Hotel in san antonio texas #Luxury #Hotels #San #Antonio, #Mokara #Hotel #- #Spa

Discover a captivating oasis complete with attentive staff at Mokara Hotel & Spa. Make your stay in San Antonio a truly memorable one with our special packages.

Mokara Hotel & Spa

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An Exceptional Escape

San Antonio’s only Forbes Four-Star hotel

Experience Mokara Hotel & Spa, a relaxing retreat on San Antonio’s world-famous River Walk. Just steps from all the action yet worlds away, this inviting oasis has all the best creature comforts easily at hand, including luxurious accommodations, first-class amenities, fine dining and a full-service spa. Plus, our attentive staff is always available to make your stay in San Antonio a truly memorable one.

Mokara Hotel & Spa has a long-standing history of excellence. As the only four-star hotel in San Antonio, Mokara Hotel & Spa is the first choice for sophisticated travelers.

Mokara Hotel & Spa is a member of the Global Hotel Alliance Loyalty Program, DISCOVERY. Room nights consumed at the property count toward your tier status with DISCOVERY. Stays at the property will not be counted toward free nights with the Omni Select Guest® Loyalty Program and Select Guest® free night rewards cannot be redeemed at this property.

For reservations, call (866) 605-1212.


  • Non-smoking luxury hotel
  • Located on the historic San Antonio River Walk
  • 99 guest rooms and suites
  • Ostra, our AAA Four Diamond restaurant
  • Rooftop pool
  • Mokara Spa, our Forbes Four-Star Spa, and world-class fitness center
  • More than 4,000 square feet of meeting and event space

Awards & Accolades

Near Mokara Hotel & Spa

112 College Street
San Antonio, Texas 78205
Phone: (210) 518-1000

9821 Colonnade Boulevard
San Antonio, Texas 78230
Phone: (210) 691-8888

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at Mokara Hotel & Spa

Amor del Rio Package

Escape to San Antonio’s River Walk to enjoy premier room accommodations, daily breakfast in Ostra, sparkling wine and chocolate truffles and parking.

Rooftop Café

Enjoy healthy dining and tasty beverages next to our rooftop pool with a view of the city.

Leisure with Breakfast

Includes luxurious room accommodations and daily Mokara Signature breakfast at Ostra Restaurant.

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#Visiting colorado in may and #Video

#Visiting #colorado #in #may

Visiting colorado in may


Know your Medical Marijuana Laws in Colorado

Even though the state of Colorado approved medical marijuana usage and possession roughly ten years ago, Colorado dispensaries are a relatively new phenomenon. Demand for the Cannabis in Colorado is extremely high and growing every day. Some are even concerned that the medical marijuana industry in Colorado may just be getting out of control with demand and excessive regulation. Currently, there are over 1,000 dispensaries in Colorado, 600 dispensaries in Denver and there are over 400 dispensaries in other parts of the state. Colorado has also issued over 130,000 medical marijuana cards to patients and with the boom in medical marijuana applications, the state has been forced to dictate a six month turnaround time for processing applications. However it seems that the registry has reduced the lag time from processing marijuana licenses to roughly 30 days since July of 2011. It is currently estimated that more than 100,000 patients and/or caregivers in Colorado are buying marijuana for medical use. Due to this high demand, the state health department has also been forced to stop accepting walk-up applications and will only accept those applications sent by mail. All of these recent changes have been necessary due to the overwhelming growth in marijuana applications. Workers with the state health department commented that the number of applications went from 270 in a normal work day to approximately 1,000 in a normal work day at one point in 2009. So what does all of this mean for the local dispensary in Colorado? Essentially, the major leap in dispensary openings and MMJ card applications appear to be a direct result of an easing of restrictions on both a local and a national level. DEA officials have ended raids on state-approved medical marijuana dispensaries, thanks to changing laws on a higher level. In July, 2009, Colorado voted down a proposal limiting the number of patients a caregiver or dispensary could serve to five. In October of the same year, the Obama administration ruled that authorities could not arrest or prosecute medical marijuana users and dispensaries who were not violating local laws. Thanks to a loosening of laws, dispensaries have been given a little more breathing room in their operation and in serving their clients on a state level. However, local laws and regulations still require dispensaries to follow a tight set of rules to keep their businesses operating. Requirements such as video taping inside the store and rules on what stores are able to sell may prove to be a hindrance, but this does not stop medical marijuana patients and caregivers from seeking out dispensaries at an ever-increasing rates. This rise in business has also given way to a more sophisticated dispensary boom and many dispensaries are finding themselves in the business of one-upping the competition. Denver dispensaries are now looking to create an interior atmosphere that feels much like an upscale store with art deco marijuana displays and custom paneling on the walls. All in all, as long as Colorado allows medical marijuana dispensaries, there will be plenty of business to support them.

Keeping Up On Medical Marijuana Laws in Colorado

As medical marijuana in Colorado becomes more prominent, lawmakers in the state are finding themselves inundated with creating new laws that will both assist the medical marijuana community and keep the booming culture from running rampant. As a result of this very difficult task, the ever-growing medical marijuana community must also work harder to stay abreast of the constant changes in Colorado legislature. Knowing and understanding the new laws as well as any of the changes to existing laws is a never-ending task, but one that is vitally important to the survival of the medical marijuana community.

First and foremost, the basic laws of medical marijuana in Colorado must be understood. Colorado state law permits the possession of medical marijuana by a patient or caregiver on behalf of the patient. No other possession is allowed. In order to qualify for a medical marijuana status, a person must be suffering from a chronic or debilitating disease or condition and that condition must have been diagnosed by a licensed Colorado physician who believes the use of medical marijuana will benefit the patient’s condition and well-being. When these basic conditions have been met, the patient may then apply for his or her card.

It is acceptable by the state for medical marijuana patients to possess up to two ounces of medical marijuana as well as six plants. Caregivers are also allowed to possess up to two ounces and six plants on behalf of a patient. It is important to note, however, that the two ounces and six plants are considered collectively between the two, meaning that if a patient assigns the right to cultivate six plants to the caregiver, the patient may not also grow six plants simultaneously.

In regard to medical marijuana businesses, the amendment of HB-1043 to CRS 12-43.3-101 (HB-1284) contains several items that all medical marijuana businesses should know. First there is a one-year moratorium in place and no new licenses will be issued until July 1, 2012. Businesses with existing licenses will be allowed to apply for changes to their licenses. Those with a pending license in a banned area may apply for a new license in a different location.

A medical marijuana center is allowed to sell to a patient with an application, ID and recommendation while the state is processing the application. It is the medical marijuana center’s responsibility to contact the CDPHE to confirm the application has not been denied. Medical marijuana centers are not allowed to sell to a patient with a renewal application however. They are only allowed to sell to patients with a new application. All sales below cost as well as ‘two for one’ deals and giveaways are prohibited unless it is to a patient who has been deemed indigent by the state.

Other items of importance to the new HB-1043 include making it clear which physicians are allowed to recommend medical marijuana to patients, requiring patients who desire to grow their own medical marijuana at home to register the location of the plants and the enactment of certain patient privacy restrictions for medical marijuana dispensaries. There are also new laws regarding limiting the number of cloned marijuana plants that can be sold by a Colorado medical marijuana dispensary and limiting the number of marijuana plants that producers of marijuana-infused products are allowed to possess to 500. Two provisions of Colorado medical marijuana law remain unchanged. Colorado medical marijuana dispensaries are still required to grow at least 70% of the product they sell and all commercial transactions at medical marijuana dispensaries must be recorded and made available to Colorado law enforcement officials.

Understanding these key issues will help all Colorado medical marijuana patients, caregivers and dispensary owners to adhere to public law and avoid potential prosecution. Contacting a qualified medical marijuana counselor or attorney with any questions or concerns will help to keep all medical marijuana patients, caregivers and dispensary owners within compliance of Colorado state laws.

Colorado Medical Marijuana Laws and Regulations

At Colorado Medical Marijuana we want our clients to be comfortable with their knowledge of the medical marijuana laws in our state. That is why we have trained with the most knowledgeable medical marijuana lawyers in Colorado.

Our educated medical marijuana patients are familiar with Colorado marijuana laws and they enjoy safe and reliable access to their medicine as a result. The medical marijuana or cannabis laws, rules and regulations in Colorado are ever changing and it is our mission to inform you of these laws and the changes that are made to them over time.

We encourage you to familiarize yourself with our website and Amendment 20. Your rights and obligations under Colorado medical marijuana law are written into the highest levels of law in Colorado, the Colorado constitution itself. At (CMM) we consult with the states leading attorneys specializing in Colorado medical marijuana patient rights and business law.

Brief History of Colorado Medical Marijuana Use

In November of 2000, 54% of voters approved Amendment 20, which amends the state’s constitution to recognize the medical use of marijuana. The law, which took effect on June 1, 2001, removes state-level criminal penalties on the use, possession and cultivation of cannabis by patients who possess written documentation from their physician sustaining that he or she suffers from a debilitating condition and recommends that they “might benefit from the medical use of marijuana.” This documentation must be presented prior to an arrest. Patients who have not joined the registry or possess amounts of marijuana that are not allowed by law can argue the “affirmative defense of medical necessity” in court after arrested for marijuana charges.

The state of Colorado has deemed the following diagnoses legal protection under this act: cachexia; cancer; chronic pain; chronic nervous system disorders; epilepsy and other disorders characterized by seizures; glaucoma; HIV or AIDS; multiple sclerosis and other disorders characterized by muscle spasticity; and nausea. Other conditions are subject to approval by the Colorado Board of Health.

Medical Marijuana Possession Law

A patient or their primary caregiver may legally possess no more than two ounces of a usable form of marijuana, and no more than six marijuana plants, with three or fewer being mature, flowering plants that are producing a usable form of marijuana. Patients may engage in the medical use of marijuana, with no more than is medically necessary to address a debilitating medical condition.

Legal Use Laws

The laws governing where you can use medical marijuana are very specific. Users can not engage on the use of medical marijuana in a way that endangers the health or well-being of any person; or engage in the use in plain view of, or in a place open to, the general public. Basically this limits the use of medical marijuana to a patient’s home. The law also states that “plain view” includes the patient’s yard or garage if that patient can be seen using their medicine by neighbors.

Confidentiality Protection

Medical Marijuana patient confidentiality is protected by law and by the procedures used by the registry. Lists of doctors, patients of caregivers cannot be given out to anyone. Law enforcement can only contact the registry to verify information on a specific identification card.


The state has enacted several medical marijuana laws that regulate the applications of medicinal marijuana use for patients. Colorado Medical Marijuana LLC encourages you to familiarize yourself with these laws so you do not run the risk of putting your rights in jeopardy. For more information about the use of medical marijuana please contact our office and our representatives would be happy to assist you with any questions or concerns you may have regarding the possession and use of medical marijuana. For specific laws, please follow the links on the left regarding Amendment 20 and Patients’ Rights.

If you would like a private consultation or referral with a medical marijuana attorney then contact one of our highly trained and highly motivated representatives today! (303) 625-4012[email protected]

For more information on recent Colorado Medical Marijuana news visit our blog

Easing the Colorado Medical Marijuana Card Process

For those who wish to obtain a Colorado medical marijuana card, understanding the process should not be difficult. Most questions can be answered by visiting the Colorado Department of Public Health website. Any person wishing to possess or us marijuana for medical use must first apply for a medical marijuana registry identification card from the Department of Public Health. Response times can vary depending on the situation. Rejections usually take four to six weeks. New cards or renewal cards can take four to five months and changes to a card or replacement cards may take four to six months.

During this waiting period, a patient who is questioned by law officials may present a copy of their application documentation, including the proof of the mailing date or other transmission of delivery to the state. This will be given the same legal effect as a registry card until the patient receives notice that an application has been approved or denied.

There are twelve items to bear in mind when applying for a medical marijuana card with the state of Colorado. Paying close attention to these twelve items will reduce the risk of an application being denied and can keep from slowing the application process down.

  1. Include a legible copy of your current Colorado driver’s license or state ID.
  2. Include a legible copy of your caregiver’s Colorado driver’s license or ID if naming a caregiver.
  3. Use blue ink when completing the caregiver form or change of address form.
  4. The change of address or caregiver form must be sent within ten days of the event.
  5. Signatures of patients must be notarized.
  6. Caregivers cannot be the notary.
  7. Use the most current version of the application or other forms.
  8. Be sure to sign your check or money order.
  9. Be sure the check or money order is the proper amount ($90.00).
  10. The check or money order may only be for one patient.
  11. Forms must be submitted by the patient, not the caregiver or dispensary.
  12. The application packet must include the application form, a physician’s certificate, a copy of the patient’s or caregiver’s ID and payment of $90.00.

Applicants should keep in mind that it is necessary to send in an application for renewal of a Colorado medical marijuana card no sooner than 60 days before the expiration date on their card. Any applications that are received prior to this date will be considered a duplicate application and the state will require an additional $90.00 fee when renewing within the accepted time frame.

When a medical marijuana patient is sending a payment in to the medical marijuana registry, it is wise to note that the payment must be dated within the prior twelve months of the date of the application submission. Any payments that are sent that do not fit this requirement will cause an application to be returned for a new payment. Patients should be aware that all payments made to the medical marijuana registry are non-refundable and are deposited within two weeks of the application submission. All patients will have 60 days to fully correct and return any rejected applications from the date of the application rejection. If an application is returned after the given 60 day window, an additional payment of $90.00 will be required. Paying close attention to these guidelines will save the patient a lot of time and extra money spent trying to correct issues later.

When considering the subject of indigence regarding a Colorado medical marijuana card, applicants may show supplemental social security (SSI) or food stamps as proof of indigent status. However, the state will not consider Medicaid, Medicare, SSDI or any other program besides SSI or food stamps. The state will require those with SSI status to submit a copy of the SSI award complete on SSI letterhead. Those with food stamps will be required to submit a copy of their food stamp eligibility determination letter. Following these guidelines closely from beginning to end will ensure that the process of applying for a Colorado medical marijuana card will be a smooth and easy process.



#Is ohio in america ^ #Video

#Is #ohio #in #america

Is ohio in america


Is ohio in america

Aerial LiDAR view of site with (partially destroyed) prehistoric linear earthwork, showing artificial terracing on opposite (east) side of hill.

(For a compilation of a few artifact photos from this website see )

Initially recognized only as crude stone tools, but subsequently as much more, the artifacts have appeared in large quantity at depths of from near the surface to well below, and the surface of this large site has only been scratched. At this time, several doctorate-level professionals – geologists, petrologists, anthropologists, a forensic biologist, and a few archaeologists – have personally identified human agency in both lithic and organic material. The Ohio Historic Preservation Office has included the site (#33GU218) in the Ohio Archaeological Inventory, recognizing evidence of prehistoric habitation. Ohio’s state archaeologists have, however, indicated no interest in further inquiry, on the unfounded assumption that early Native Americans would have left nothing significant in this unglaciated and topographically rugged area (a bit too far from Columbus, perhaps?). This author has been proceeding largely on his own with occasional assistance and advice from professional archaeologists, anthropologists, and physical scientists including geologists and petrologists with the training and experience required to determine whether or not a given rock could have acquired its current form entirely through natural processes.

Side Project: Scandinavian artifacts (Homo Sapiens or Neanderthal?) from deep within glacial till in northern Germany

Click center image for details.

Please click on the image to see it full size (scroll as needed).

Judging from ceramic material and a long, straight, and symmetrical earthwork oriented to true north-south, it appears that the upper artifact layer at this site may date from the Early and/or Middle Woodland Period. Temporally/culturally diagnostic flint projectile points from the vicinity of the site indicate a human presence dating from the Early Archaic through the Middle Woodland Period, or roughly 10,000 – 1500 years BP.

Click image for details.

More important by far than just this particular site, the finds here have led to the discovery of a simple and consistent zoo-anthropomorphic iconography apparently routinely and usually perfunctorily incorporated into lithic and other artifact material over many thousands of years and across widely separated areas of this planet. This author has tentatively (and presump- tuously?) dubbed it “Primal Imagery”. (An overdue attempt at concisely deconstructing it may appear on this sadly disjointed website before too long. Meantime, click here to see the existing clumsy start at this.) Most commonly, the imagery is carved and/or ground into pebble- or cobble-sized stone tools. Since this website was launched in 2003 and widely viewed, these are becoming more extensively recognized, typically characterized (often rather misleadingly?) as “portable rock art”. And lately there has been quite a proliferation of new websites and blogs on this subject, at widely varying levels of plausibility and scientific validation, unfortunately at an increasingly low and embarrassing level. (Among the more cringeworthy of the recently appearing knockoff websites are the random gravel display “” and the semiliterate “”.)

In the nineteenth century Jacques Boucher de Crиvecњur de Perthes, an amateur archaeologist in France, conclusively demonstrated with the aid of professional geologists (to the dismay and anger of the archaeological establishment) that stone tools in that part of the world dated from the Ice Age, a now universally accepted fact in the archaeological community. Subsequent to this author’s recognition of the iconographic artifacts at this Ohio site, he became aware that Boucher de Perthes had also noted that many of the French artifacts in direct context with the tools incorporated simple anthropomorphic and zoomorphic imagery, calling these “Pierres Figures”, or Figure Stones”. This latter observation has since been almost completely ignored, and it remains pretty much de rigueur among modern archaeologists to summarily dismiss the many discoveries of these by amateur archaeologists and casual collectors despite their obvious imagery and physical evidence of human workmanship. The advent of the internet has recently allowed a worldwide exchange of images and data that clearly validate the presence of such artifact material and the consistency of its essential iconographic components and subcomponents. This author has adopted and applied Boucher de Perthes’ term “Figure Stones” in presenting his own and others’ finds for several years now, and, along with “portable rock art” , this seems to have become more or less the standard designation among those now pursuing this line of inquiry.

A big and obvious Figure Stone, a verified case in point:

Click image for published article with more photos.

Another rejected but professionally authenticated zoomorphic artifact, a bifacially edged side scraper skillfully crafted as a bird figure.

Click image for an article on this piece published in Ohio Archaeologist, fall 2013.

Some of the Artifacts from 33GU218 – click images to expand:

Equid? Flint Figures (often manuports) Yellow Ochre Figures

Human Human Human, Male and Female Petroglyphs

(Or click on the image above.)

The age of most of the artifacts at this site has not yet been conclusively determined, but their quantity, consistency of form, distinctive carving marks, and representation of bird and shaman-like hybrid bird-human images indicate that they are of human manufacture. Several spirally fractured deer bones have been unearthed, indicating human activity. Human remains in the form of hair, usually dark brown when not faded, have appeared in direct context with the lithic artifacts. Some of the hairs were submitted to the Center for the Study of the First Americans, where in November 2003 the late Dr. Robson Bonnichsen identified them as human. Genetics researcher Dr. Tom Gilbert attempted mitochondrial DNA analysis of other hairs from the site, but unfortunately none of their DNA had survived, despite their outward appearance of being in good condition. It is hoped that hairs might appear that have been adequately protected from moisture, and freezing and thawing. One of the hairs remaining after the necessarily destructive attempt at DNA extraction has been verified by Dr. Scott Moody, professor of forensic biology at Ohio University, as being obviously human and apparently quite old. Dr. Moody has also identified dyed plant fibers in context with the artifact material.

(Click images below for details:)

Whatever the age of this material might prove to be, it seems to point to an important if unrecognized anthropological and cultural phenomenon – the almost ubiquitous shaman-like bird-human figure characterizing the “rock art” at this site, remarkably consistent in its arrangement of readily identifiable sub- components. Strangely, this figure incorporates iconography quite evident in modern but traditional Inuit/Yupik art, and also present in European Paleolithic artifacts, as well as in Australian material of unknown age, apparently a Primal Image. (The presence of “portable rock art” or “mobile rock art” has long been recognized in European artifact material, and is starting to be seen for what it is at sites in North America. At this site and others, it is often incorporated into simple lithic tools.)

Bird-Human Figures – Click Photo for Explanation.

From the huge quantity of lithic artifact material, it seems that this site, with its commanding view, ample water supply, and terraced eastern (sheltered) slope, may have seen more than just part-time habitation. Initially, the possibility of a “pre-Clovis” presence came to mind since while none of the popularly recog- nized “Indian” spear heads and projectile points had appeared, many of the human-modified stones of local and non-local lithology were professionally recognized as in fact being artifactual, with others having a very high proba- bility of being so. But subsequently, similar artifact material has appeared at other sites in direct context with points, blades, etc. temporally diagnostic of time periods as recent as Middle Woodland (roughly 100 BC to 500 AD). Nonetheless, the distinct similarity of the artifact material here to that at the Gault (Clovis) and Topper (pre-Clovis) sites leaves open the at least hypo- thetical possibility that the more deeply buried artifacts (apparently at at least a meter or so beneath the terrain surface) might predate the Clovis time frame. If not temporally “pre-Clovis”, they certainly are technologically, and may represent the lithic tools from which Clovis and later technology evolved. And tools of this kind seem to have coexisted for a long time with the currently more recognized and familiar flint implements, serving when and where these were not readily available. At this point, the actual age of this officially unrecognized yet professionally verified artifact material is of less interest than the simple fact that it is present, but contextual evidence strongly indicates that in the upper strata it is Early to Middle Woodland in age, or very roughly two thousand years old.

A large linear earthwork is present at the site, a symmetrical rounded wall roughly 6 m (20′) high at its highest point and several hundred meters in length. It is quite straight and oriented to true north-south. Such astronomical orien- tation is characteristic of Late Archaic through Middle Woodland earthworks, as is the overall morphology of this structure, which includes a shallow trench along its east side (uphill toward the top of the knob, which affords a long view to the horizon in all directions).

Below, the opposite (west) end of the gateway with large and somewhat zoomorphic sandstone slabs possibly collapsed from an original structure flanking the upward path. (Note that nothing like this is present on the uphill [east] end.)

So far, aside from the earthwork, the artifact at this site that is, in terms of currently recognized evidence, best temporally/culturally diagnostic is a ceramic sherd from the uppermost artifact layer, about 12 cm (5″) down at the top of the hill. This is an apparent rim sherd identified by a professional Ohio archaeologist as likely being from the Middle Woodland Period, or roughly 2000 years BP. (Older flint points have been found on bottomland just north of the site.)

Lithic artifact material bearing the carved imagery characteristic of this site has been found in parts of Ohio that, unlike this location, were flattened by glaci- ation, suggesting that the material in those areas is less than 14,000 years old (unless, of course, it simply survived where it was earlier, or was carried in by a glacier). Dave Gillilan in Pickaway County, Ohio (glacial boundary) recently discovered, at a depth of about 1.5 m (5′) in apparently undisturbed terrain, a deliberately buried cache of artifacts quite similar in form and composition to those at Day’s Knob, but generally more refined, and accompanied by flint and quartz points, blades, etc. characteristic of the Late Archaic and Early Wood- land Periods (roughly 2000 years BP). And some of the other artifacts in direct context are very strange, including non-utilitarian objects of iron, the carbon content of which has been radiocarbon dated to roughly 400 AD, strongly suggesting prehistoric iron smelting by Native Americans. (Similar iron artifacts, not yet dated, have appeared here at 33GU218).

Click image for details and more photos.

The lithic artifacts found so far at Day’s Knob are carved, chipped, split, and/or abraded mainly from the local limestone, sandstone, hematite, and soft yellow ochre. Heavy V-profile incision and carving marks (probably decorative or symbolic in most cases) are a distinctive characteristic of this assemblage. A few of the simple tools are made from non-local igneous (sometimes volcanic) or metamorphic rock. The site is well south of the glacial boundary, beyond the extent of significant glacial outwash; also, it is on a hill rising about 120 meters (400′) above any creek beds in which such material might appear. It seems reasonable to assume that this material was imported by the site’s inhabitants.

Click image for details.

Why there are not more flint implements is somewhat of a mystery, but it is evident that the hard limestone abundant at the site was adequate for the population’s needs at the time (it is quite capable of cutting wood, for example); they just used what was there, and flint does not occur naturally in Guernsey County. Apparently they were unaware that 21st century AD lithics experts had not approved their material for tool making.

The original expectation was to deal here only with the artifacts appearing at Day’s Knob, but it has subsequently (and not surprisingly) become clear that material of very similar form and incorporated iconography is to be found in many places in North America (as far away as California), and, rather unexpec- tedly, in other parts of the world. Among professionally excavated potentially “pre-Clovis” sites in North America, it almost certainly is present (even if not recognized) at Topper beneath the Clovis-age strata, and at Gault among diagnostically Clovis-age material.

Click images for details.

Many visitors to this website, collectors and amateur archaeologists in the USA and even Europe, have contacted this author to show very similar material they have found. At least two in the USA had already independently recognized their finds as probable artifacts, and the European contributors (apparently having fewer preconceptions) had been doing this for quite some time (for example, among other longtime investigators, Ursel Benekendorff in Germany). Individual visitors’ interpretations of the material vary widely (sometimes as naturalistic depictions of extinct animals, early hominin physiognomies, etc.), frequently differing from this author’s rather conservative ones – but right now this is not so important. (And the “professionals” will eventually pontificate endlessly on all this once they become aware of it, and claim to have discovered it.) The objects from this site are, for the most part, clearly artifactual and of essentially the same morphology and incorporated symbolic motifs, particularly significant in the context of the early habitation of North America. And the overall implications for the worldwide migration timeline are obvious. Some of the visitors’ contributions (no time to include all of them yet), and some of this author’s finds from other countries can be seen by clicking these links:

____________________ Bird Forms ____________________

Strangely enough, in many cases the functional tools at 33GU218 are formed at least abstractly in the shape of birds or bird-humans, which appar- ently played a dominant role in the belief system (animism/shamanism?) of the people that left these mysterious objects behind. Most of the bird forms have a rounded or even anthropomorphic face, but the overall morphology, and an eye distinctly carved in the appropriate place, are unmistakable when one even casually looks for them.

Bird-Shaped tools – click image for details.

Tools and/or decorative/symbolic objects (“portable art”) of this form have also appeared in other parts of the world; some of these are claimed to date from several hundred thousand years ago, and the easily recognized form persists in tools well into the Neolithic.

______________ Decorative /Symbolic Birds ______________

Besides being fashioned from rock, some of the primarily symbolic or decor- ative bird figures at Day’s Knob are fashioned from various organic materials.

(Click images below for details:)

P itch Wood Clay/Hair

Click image for details.

________________ The Bird Spirit (Bird-Human )________________

Even more frequently than the actual bird form, the image of a hybrid bird-human creature appears – referred to here as the “Bird Spirit”. (Since this author seems to have discovered it, at least in this context, he presumably can call it whatever he likes.) Whatever the age of this site might prove to be, the Bird Spirit image in itself is probably of considerable anthropological signifi- cance, being apparently of quite ancient origin. In artifacts of the European Paleolithic it appears consistently, resembling in small detail the image here, and persists quite identifiably into modern but traditional Inuit/Yupik (“Eskimo”) “transformation art”. (Actually, it has subsequently come to this author’s attention that the Inuit and Yupik have been calling this bird-human figure “Bird Spirit”, or even just “bird”, for a very long time. Oops! So much for this author’s originality. ) The figure also appears in Australia, Asia, and other parts of the world, seemingly a Primal Image.

For a while, this author was tentatively identifying numerous figures on stone tools as animals such as bear and wildcat. Then came the discovery of what appeared to be the image of a human head made of a hard clay/ochre/plant amalgam, half buried at the bottom of a washed out rut in the “driveway” up the knob, and quite distinct in composition from the surrounding mud. In its mouth were two distinctly detailed birds joined together, and it was adorned with several other small bird figures. Looking more closely at the mischaracterized “animal” images on the tools and large stone figures then revealed that these usually had mouths abstractly or distinctly shaped like birds, leading to the recognition of a highly standardized albeit stylized bird-human figure. The constant repetition of a complex and recognizable pattern was unmistakable. (A few of the Figure Stones here are, however, distinctly and naturalistically in the form of particular non-bird animal heads, e.g., rabbit, dog, equid, human. And petroglyphs seem to include spider and mastodon.)

The head of a Bird Spirit may be strongly anthropomorphic, with distinctly human nose and eyes at the front of the face, or more bird-like with an elon- gated head. In either case, it usually has a mouth rather than a beak. Often one eye is open and the other is shut. Below is a sketch of the general form, a simple schematic showing most of the typical components described in following paragraphs. (Unlike the people that created these objects, this author has no artistic talent. Do not laugh.)

The sketc h below shows the general form of the two-faced (janiform) image appearing repeatedly in the carved rocks at this site, with the quasi-anthro- pomorphic shaman-like face at one end and a more zoomorphic one at the other:

A Bird Spirit (or similar zoo-anthropomorphic) figure typically exhibits at least some of the following features shown below, apparently basic components in a set of Primal Images. Click on the underscored terms or the “thumbnails” for photos:

A bird or other creature facing forward (sometimes sideward) on top of the head, often suggesting shaman headgear.

Click image for details.

Click image for details.

The head of a creature emerging from the belly of the primary figure.

Click image for details.

A creature emerging from the posterior, in the manner of an egg.

Click image for details.

Janiform – a face at one end of the figure, another at the the opposite end looking in the opposite direction. Typically one face is more or less anthropomorphic, and the other more zoomorphic.

Click image for details.

A mouth consisting of two birds conjoined most of the way back from their heads, and facing away from each other with their heads forming or occupying the corners of the mouth. When the figure is depicted only in profile (more common), the mouth has the form of a bird facing toward the back of the head. This gives an appearance that easily causes the image to be misidentified as an animal such as a bear or wildcat.

Click image for details.

Sometimes the mouth takes the form of a big toothy grin.

Click image for details.

Eyes typically circular or diamond-shaped, very often with a distinct raised or indented iris in the center. When the face appears in frontal view, often one eye is open while the other (more commonly the left?), is partly or fully closed. The eyes seem to have received particular attention to detail, and are among the most quickly recognizable evidence of human agency in the lithic artifact material. Sometimes they are micro-carved into the form of a bird or bird-human head.

Click image for details.

A nose consisting of a bird or human-like head facing outward or downward.

Click image for details.

A chin, if significantly present, in the form of another creature.

Click image for details.

A bird or bird-human riding on the back of another one, often suggesting copulation.

Click image for details.

A bird or other creature on the side of the primary figure.

Click image for details.

The figures typically exhibit symmetry in that the reverse side usually bears a similar image, at least thematically.

Click image for details.

As is obvious from the features described above, the figures are typically polymorphic/polyiconic – multiple images in one. The details of an image and its multiple components are often not deeply or distinctly carved, and are usually best visible (sometimes only visible) with the light source above the figure when positioned vertically. Often, when the figure is rotated 180 degrees, one image or set of images virtually disappears, and another comes into view. The artisans clearly understood the interplay of light and shadow. Likewise, rotating 90 degrees quite often has the same effect, or sometimes turning to an intermediate angle, depending on the geometry of the rock. While often varying markedly in overall appearance, the figures appearing almost always exhibit the same general arrangement of subcomponents.

Click image for details.

Click image for details.

The image of the Bird Spirit appears to be of ancient and primal origin, present in stone images from Europe, Asia, Australia, and Africa often dating back into the Paleolithic. This has survived from its origins in the very earliest “art” of the Old World into the Paleolithic in the western hemisphere, and in quite rec- ognizable form into the Mississippian period, as is clearly visible on the well known Cahokia Birdman Tablet:

Inuit/Yupik (Eskimo) “transformation art” incorporates many if not most of the various Bird Spirit (bird-human) themes in the Day’s Knob artifact material, like the very common bird-from-the-mouth below. A cultural affinity seems quite apparent:

It is interesting to speculate on the origin of the Bird Spirit image. Cave paintings of the Paleolithic, with their magnificent depictions of animals of all sorts, often include people only as simple “stick” figures, if at all. It has been conjectured that humans of that time considered themselves to be essentially separate from the natural world, having come from above. One of this author’s possibly strange hypotheses is that this Bird Spirit figure is the manifestation of a sort of “collective unconscious”. Many or perhaps most of us have had vivid flying dreams, particularly in childhood. It seems reasonable to think that if we do it, people hundreds of thousands of years ago did it also, and took it much more seriously and literally. And early humans poking around on the ground must have regarded birds with more than a little wonder. When people first began to think of themselves as transcending their earthbound condition, birds must have quickly come to mind, and a “morphing” of human and bird in their physically rendered imagery seems a logical extension of this.

Given its wide geographical distribution and apparently great antiquity, one might tentatively speculate that the bird-human image originated in Africa, then was carried into Europe and the Middle East, then on into Asia and Australia, and across Beringia to North America.

Click image for details .

__________________ Human Figur es __________________

Click image for details.

____________________ Petroglyphs ____________________

Click image for details.

____________________ Rock Paintings ____________________

Click image for details.

___________________ Larger Stone S culpture ___________________

These are usually explicitly or abstractly a bird or bird-human image, but may contain these images within a larger figure that looks like another animal.

Click image for details.

___________________ Personal Ornamentation ___________________

These are two pendants – one the image of a bird, the other a disk. The holes drilled in each are of the same size, and appear to have been produced in the same manner.

Click images for details.

____________________ Micro- Art ____________________

Many symbolic or decorative images are as small as a couple of millimeters, indicating remarkable visual acuity.

Click image for details.

____________________ Clay Figure s ____________________

One of the more unusual (and certainly controversial) finds at this site is the many zoomorphic figures made from clay or a compressed amalgam of mud, ochre, and plant material. Some contain verified human hairs and/or artificially colored plant fibers.

Click image for details.

Leaves and other plant material were sometimes attached, including a piece of pine cone in one case. (There are no pine trees currently at the site.) Apparently, packing the objects into the dense clay created a more or less anoxic environment that protected the plant material.

Click image for details.

______________________ Iron ______________________

Iron artifacts appear at the site, almost all of a non-utilitarian nature, and seem- ingly the product of direct-reduction smelting. (Speculative at this point.)

Click image for details.

_____________________ Glass _____________________

Click image for details.

____________________ Wood ____________________

Wooden bird figures, as well as cleanly cut and carved wooden sticks, often appear buried in the clay, rather well preserved in context with other artifact material.

Click image for details.

_________________ Stone T ool s _________________

Among the assemblage, several very general tool templates are evident. Since few of the implements are made of flint (which does not appear naturally in this area), they do not fit well into the classic “Indian” taxonomy, so this is only a crude attempt at classification (fitting square peg into round hole). Click on the links below for photos and/or expanded descriptions. (Please note: This part of the website is poorly developed, showing mainly low resolution photos of just a few of the earliest tool finds. There are better examples that will be posted later.)

Since there is evidence at this site of extensive earth moving and at least some plant cultivation, it seems likely that many of the tools were simply digging implements.

Small Gouges and Picks: These are pointed implements contoured for right-handed thumb and finger grasp, often in the form of a bird or bird head.

Click image for details.

Large Gouges: These are pointed or chisel-shaped right-hand implements contoured either for downward or for forward thrusting. Like the hand axes, they often exhibit the characteristic grooves and ridges for thumb and fingers.

Click image for details.

Hand Axes : These have a bifacial bit edge and a wider, rounded proximal edge for right-handed grasping. The sides of the implement are often grooved and/or ridged for thumb on one side and fingers on the other.

Click image for details.

Wing-Shaped Implements: These are flared trianguloids in a generally birdlike form, including scrapers, hand axes, gouges, and abraders. This is one of the most common templates in the assemblage, and maybe a precursor of the well known bannerstone.

Click image for details.

Misc. Scrapers and Cutting Tools: These vary considerably in size and form. Most are more or less in the shape of a bird or bird head.

Click image for details.

Semilunar Implements: These are celts, scrapers, or abraders with a bifacially beveled bit edge along the circumference, and a flat or more-or-less flat proximal grasping end. They are usually very simple, but are sometimes well detailed with contours and/or flanges for right-handed holding. The size range is considerable.

Click image for details.

Sandstone Abraders: Hand-held or finger-held grinding tools apparently for surface reduction and forming of other implements and decorative/symbolic objects. These appear in huge quantity across the site.

Click image for details.

Click image for details.

Although the implements are sometimes bizarre in appearance, close inspec- tion reveals genuine skill, creativity, and attention to detail in fabricating a functional tool from the material at hand. It seems reasonable to assume that these tools were, when actually used, applied with considerable force over an extended period of time, and that sharp or rough edges against the hand or fingers would have been intolerable. On this assumption, an object at this site is very seldom classified as a tool unless it meets these simple criteria: It must fit firmly and comfortably in the right hand, or, if small, in the fingers of the right hand. When the object is held in a position in which there is such a fit, the bit edge or point must be in the appropriate orientation to perform its func- tion. It is remarkable that, with the exception of some of the more amorphous sandstone abraders, the tools present at this site both meet these require- ments and manage in most cases to recognizably if abstractly incorporate the ever-present bird or Bird-Human image. It seems that cutting the image was an integral part of the manufacturing process, as much so as making the point or edge and the grasping surface. It was seldom an intentional display of artistic virtuosity – just part of the routine, perhaps like forming the cross on hot cross buns. Assuming an animistic belief system, maybe it was just putting the spirit’s image on the rock it was believed to inhabit. In any event, it seems that a rock was modified to incorporate both utility and symbology.

In contemplating whether a given lithic artifact is a “tool” or a piece of simple “art”, a fair amount of confusion has arisen because the concept of art is, relatively speaking, a very recent one in the course of humans’ physical and cultural evolution. Seeing and judging what was left behind by people many thousands of years ago only through only the lens of one’s own culturally conditioned perceptions will never lead to an understanding of what was really happening. This author would propose that many of the puzzling worked stones (often called “portable rock art”) that have been examined at this site and throughout much of the world, probably most of which do not show clear evidence of use wear, are both “tools” and “art” but actually neither – just potentially if not always utilitarian objects that also routinely incorporate rudimentary iconography. It has long been recognized, as in the Rift Valley in Africa, that early humans (“hominins”) produced and left behind vastly more stone implements than were ever actually used, what would seem to be an almost compulsive behavior deriving from the fact that the manufacture of stone tools was a matter of everyday survival. Perhaps an evolving animistic belief system (i.e., everything is inhabited by a spirit) and intellectual capacity for symbolic representation gave rise to the routine incorporation of simple imagery into potential tools. (This seems to have been in full swing by at least 450,000 years ago, judging from some of the European finds from reasonably secure stratigraphic context.)

As was mentioned above, a few years ago this author noted consistent motifs and their subcomponents incorporated into artifacts from this site and others in Europe and Australia, and a distinct correspondence in modern but tradi- tional Inuit/Yupik carvings and masks, which also derive from something quite ancient and primal in a culture intimately connected to nature. In this context, consider this quote from anthropologist Edmund Carpenter’s 1973 book “Eskimo Realities”: “No word meaning ‘art’ occurs in Eskimo, nor does ‘artist’; there are only people. Nor is any distinction made between utilitarian and dec- orative objects.” (Thanks to Richard Wilson of Watford, England for pointing out this book after being subjected to this author’s ravings on the similarity of Inuit/Yupik iconography motifs to those of the European Paleolithic.) It seems likely that the symbology persisted through many thousands of years of migration and ethnic/cultural diversification. (Belief systems, like languages, are not bound to ethnicity.)

It is interesting and significant that just recently professional European archae- ologists have announced with great fanfare their realization that simple tools at Wilczyce and Lalinde/Gцnnersdorf, showing no signs of use wear, are in the form of the long recognized “Venus” figurines that have appeared at various sites. The fact of the matter is that amateur archaeologists, free of the long- standing preconceptions, have been recognizing and publishing this relation- ship for decades. While the perceptiveness and insight of the professional archaeologists in this recent discovery certainly is to be commended, it seems that this announcement is, as is so often the case, a matter of assigning impor- tance to a given discovery less on the basis of its archaeological significance than on the academic credentials of the observers. The presence of rudimen- tary “portable rock art” in the form of “tools” has long been rejected in Europe and elsewhere, this being “argumentation from absence”; no one (with a very few unpopular exceptions) in the professional/academic archaeological com- munity had reported it, so it was assumed not to exist.

The artifacts unearthed so far at Day’s Knob have appeared mainly in these locations:

Along the 130m (425′) access path from the ridge road to the top of the hill, after years of erosion and maintenance grading, from roughly 25 cm (10″) to 60 cm (24″) below the current terrain surface.

In a large hole dug out by deer around a salt block at the top of the hill.

In several small test holes at random locations.

On and near the surface of the large earthwork along the west side of the hill.

On and below the surface of a large artificially terraced area including the spring on the steep east (sheltered) side of the hill.

On or near the surface, or eroding from banks in quarried or otherwise disturbed areas of the site. Characteristic artifact material has, in some cases, been retrieved from far below the current terrain surface.

Most of the artifacts collected at this site have been cataloged or at least sorted by the location of their appearance, but a controlled dig remains to be com- pleted. One 1×1 m square was started in 2003, with lithic objects logged by XYZ coordinates. This was left on hold, mainly because of the large quan- tity of artifacts that suddenly appeared as the result of heavy rains eroding the deeply rutted “driveway” up the hill, requiring full-time attention. Although barely started, this square has produced numerous clearly fabricated sand- stone objects, most of them bearing the ubiquitous bird/human image.

Click image for details.

Day’s Knob would have been highly favorable for habitation, with its commanding view in all directions, ample water supply, and abundant lithic material, and it clearly was the site of much human activity. However, it is hardly unique. There are undoubtedly many other such sites in North America waiting to be discovered by professional or amateur archaeologists willing and able to see beyond the current and rather rigidly orthodox paradigm for aboriginal American artifacts. (Topper in South Carolina is almost certainly such a site.) Many photos of similar artifact material, resembling that here in minute detail, have been e-mailed to this author. If one were given to wild speculation, one might present the heretical hypothesis that North America was well populated before the advent of the diagnostically “Clovis” implements. One way or another, it is seems likely that the ground of North America will yield quite a large body of heretofore unrecognized artifact material related to but morphologically distinct from that popularly seen as Native American.

Simple “figure stones” have, since their first discovery by the archaeological pioneer Boucher de Perthes in the nineteenth century, been rejected, ignored, and discarded by archaeologists despite verified evidence of human agency. This is a sad and almost inexcusable oversight given that figure stones present an index to a site’s early human presence where more popularly recognized artifact material is not present. In short, there is a lot more to all this than just “arrowheads”.

Note to persons recognizing and collecting artifacts like those shown here (or any other artifacts, for that matter!): Please record the exact location of each find (a handheld GPS unit can be quite helpful in this). Place the find in a plastic “zip-lock” bag along with a note detailing its provenience. Context is very important. If the artifact is damp, let it dry out before resealing the bag. If you think you must clean it, look under magnification (at least 10X) for adhering material of interest. For example, on several occasions at this site human hairs have been found in the encasing soil, even well below the current terrain surface. Thanks!

“Know what you see – don’t just see what you know.”

Please email questions, comments, and flaming arrows to



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